Vietnam in ancient times was named đất nứớc vạn xuân – the land of ten thousand springs. One of the myths surrounding the creation of Vietnam involves a fight between two dragons whose intertwined bodies fell into the South China Sea and formed Vietnam’s curving “S” shaped coastline. Legend also has it that Vietnam’s ancestors were born from the union of a Dragon King, Lạc Long Quân and a fairy, Âu Cơ. Âu Cơ was a mythical bird that swallowed a handful of earthly soil and consequently lost the power to return to the 36th Heaven. Her tears formed Vietnam’s myriad rivers and the country’s recurring floods are the land’s way of remembering her.
In the geo-political situation, Vietnam thrives on a fragile equilibrium between land and water management. A life-sustaining power, water is evoked in every aspect of the culture. Shot in Hi-8 video in 1995 and in HD and SD in 2012, the images unfold spatially as a dialogue between the two elements – land and water – that underlie the formation of the term “country” (đất nứớc). Carrying the histories of both visual technology and Vietnam’s political reality, these images are also meant to feature the encounter between the ancient as related to the solid earth, and the new as related to the liquid changes in a time of rapid globalization.
In conversation with these two parts is a third space, that of historical and cultural re-memory – or what local inhabitants, immigrants and veterans remember of yesterday’s stories to comment on today’s events. Touching on a trauma of international scale, “Forgetting Vietnam” is made in commemoration of the 40th anniversary of the end of the Vietnam War and of its survivors.
Trinh T. Minh-ha
Trinh T. Minh-ha, Jean-Paul Bourdier
Trinh T. Minh-ha
Jean-Paul Bourdier, Trinh T. Minh-ha / Moongift Films
The Six Tones
festivals and awards:
2015 – Busan IFF; 2016 – MFF Singapur; 2016 – MFF Cinéma du Réel; 2016 – FF LA Asian Pacific
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