The film shows three women who survived abusive relationships—by becoming murderers themselves. Laura from Finland, Rachel from the Netherlands and Rosalba from Italy explain how and, more importantly, why they killed their partners. One speaks eloquently, another haltingly, but all three are candid. The argumentation moves from a cleaner of crime scenes to the 17th-century painting “Judith Beheading Holofernes” by Artemisia Gentileschi. And the anonymous woman in red, who is trying to survive in an abusive relationship—will she also become a perpetrator? Is there another way out?
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